“Uprising” does not convincingly do its job to start the album with heavy impression, but it can pique one’s curiosity on how the album progresses. The fulfillment of being lulled by the first five songs is exhaustive in its capacity to incite introspection. The lyrics, however, if not a tad hypocritical, are not entirely too poetic it is not in Bellamy’s tendency, after all, to beatify his writings.Įach of the songs heavily represents its critical and provocative meaning. It gives a picturesque, insatiable feeling of how humans are: ingenious in their own destruction. Sure thing, from the album title itself, it is a collection of the band’s, particularly Matt Bellamy’s, take on the current political agendas and conspiracies. Muse’s music did not diminish in its quality to evoke emotional waves and stamp the band’s indubitable substance, but they have tried to lessen their treatment. I’ve heavily pronounced that The Resistance is Muse’s take on bossa nova but there is nothing peculiar, special, or too deplorable to say in this new record. It’s a supposition and tradition that I have gotten used to as they slowly evolve into a commercialized music which is barely imminent in their first two albums. I am particularly fond of Muse’s albums in a backward phase that is, from how I listened to them in order of their release.
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